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๋กœ๊ทธ์ธ

๋ฐ์ผ๋ฆฌ ํŒ์—… ๋…ธํŠธ

01 ยท ํƒ์ƒ‰

์ฐœํ•œ ํŒ์—…,
์˜คํ”ˆ ์ „์— ์•Œ๋ฆผ๋ฐ›๊ธฐ

์›น์—์„œ ์ฐœํ•ด๋„ ์•ฑ์—์„œ๋งŒ ์•Œ๋ฆผ์ด ์™€์š”

02 ยท ๊ณ„ํš

ํ•œ ๋™๋„ค ์ธ๊ธฐ ํŒ์—…,
์ฝ”์Šค๋กœ ๋ฏธ๋ฆฌ ์งœ๊ธฐ

์ถ”์ฒœ ์ฝ”์Šค๋กœ ๋™์„  ๊ณ ๋ฏผ ์—†์ด ์ถœ๋ฐœ

03 ยท ๋ฐฉ๋ฌธ

์ด๋™ ์ค‘ ์ฃผ๋ณ€ ํŒ์—…,
๋ฐ”๋กœ ๊ธธ์ฐพ๊ธฐ๊นŒ์ง€

๋‚ด ์œ„์น˜ ๊ธฐ๋ฐ˜ ํƒ์ƒ‰ + ๋„ค์ด๋ฒ„/์นด์นด์˜ค ์ง€๋„ ์—ฐ๋™

ํŒ๊ฐ€ ์•ฑ ๋‹ค์šด๋กœ๋“œ QR ์ฝ”๋“œ

ํŒ๊ฐ€ ์•ฑ ๋‹ค์šด๋กœ๋“œ

QR ์Šค์บ”์œผ๋กœ
์•ฑ์—์„œ ๋ฐ”๋กœ ์‹œ์ž‘

Tteokbo and the Five Pass Arirang Tigers: In Search of the Missing Grandmother
๊ฐœ์ตœ ์˜ˆ์ •์˜คํ”ˆ D-11ํ•œ๊ตญ์Œ์•…(๊ตญ์•…)

Tteokbo and the Five Pass Arirang Tigers: In Search of the Missing Grandmother

0

๊ด€๋žŒ๋ฃŒ
20,000์›
์ „์„
๊ธฐ๊ฐ„
10.18
ํ•˜๋ฃจ
๊ด€๋žŒ์—ฐ๋ น
๋งŒ 7์„ธ ์ด์ƒ

๊ณต์ง€์‚ฌํ•ญ

๐Ÿ“ข Performance Information - Running Time: 60 minutes - Age Limit: Elementary school students and older (born in 2019 or earlier are allowed to watch)

์˜ˆ๋งค

๋†€์œ ๋‹ˆ๋ฒ„์Šค ยท 20,000์›๋ถ€ํ„ฐ

์œ„์น˜

์„œ์šธ ์„œ์ดˆ๊ตฌ ๋‚จ๋ถ€์ˆœํ™˜๋กœ 2406

์˜ˆ์ˆ ์˜์ „๋‹น ์ž์œ ์†Œ๊ทน์žฅ

์ผ์ •

26.10.18(์ผ) - 10.18(์ผ)

Sun 15:00

์šด์˜ ์‹œ๊ฐ„

  1. ์›”์—†์Œ
  2. ํ™”์—†์Œ
  3. ์ˆ˜์—†์Œ
  4. ๋ชฉ์—†์Œ
  5. ๊ธˆ์—†์Œ
  6. ํ† ์—†์Œ
  7. ์ผ15:00

์ถœ์—ฐ์ง„

  • ํ™์ •์—ฐ
  • ๊น€์„ฑ์—ฐ
  • ์ •์„ฑ์ง„
  • ์ด์ฃผํ˜•
  • ๋ฐ•๊ด‘์„œ
  • ์—ฐ์‹œํ˜„
  • +1๋ช…
์ œ์ž‘์ง„
์žฅํ•œ์ƒˆ, ์žฅ์ฒ ๊ธฐ, ์ฃผ์€๊ธธ ๋“ฑ

์ถ•์ œ ์†Œ๊ฐœ

Tteokbo's mysterious adventure begins as they set off to find their missing grandmother and encounter five tigers! ๐Ÿฏ ใ€ˆTteokbo and the Five Pass Arirang Tigersใ€‰ is a family fantasy mask dance drama that modernly reinterprets traditional culture, including Cheongju folktales, folk songs, and mask dance. It tells a heartwarming story of the main character, Tteokbo, who faces greed, temptation, and fear while passing through the mountains guarded by five tigers, and grows along the way. Experience an interactive performance at Seoul Arts Center where children and adults alike can enthusiastically connect with traditional mask dance, Cheongju Arirang, and various performance elements! โœจ
์ฃผ์ตœ
๋ฌธํ™”์ฒด์œก๊ด€๊ด‘๋ถ€, ์ฃผ์‹ํšŒ์‚ฌ ์ฝ”์Šคํƒ€
๋Ÿฌ๋‹ํƒ€์ž„
1์‹œ๊ฐ„

AI๊ฐ€ ์š”์•ฝํ–ˆ์–ด์š”

chars) -> "๋– ๋‚˜์š”" (์•„/์–ด์š”) 3. ์ฆ๊ธธ 2: ์ „ํ†ต ํƒˆ์ถค๊ณผ ์ฒญ์ฃผ์•„๋ฆฌ๋ž‘์— ์—ฌ๋Ÿฌ ์—ฐํฌ ์š”์†Œ๋ฅผ ๋”ํ•ด ๋ฌด๋Œ€๋ฅผ ๊ฐ€๋“ ์ฑ„์› ์–ด์š” (์ฑ„์› ์–ด์š”) 4. ์ฆ๊ธธ 3: ์–ด๋ฆฐ์ด์™€ ์–ด๋ฅธ ๋ˆ„๊ตฌ๋‚˜ ๊ฐ™์ด ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋†’์—ฌ ๋ฌด๋Œ€์— ์ง์ ‘ ์ฐธ์—ฌํ•ด ๋ณผ๊นŒ์š”? (์ฐธ์—ฌํ•ด ๋ณผ๊นŒ์š”?) 5. ์‹œ๊ฐ„ ๊ณ ๋ฅด๊ธฐ: ์ผ์š”์ผ 15:00์— ์‹œ์ž‘ํ•˜๋‹ˆ ์ผ์ •์— ๋งž์ถฐ ์ž์œ ์†Œ๊ทน์žฅ์œผ๋กœ ์ฐพ์•„์˜ค์„ธ์š” (์ฐพ์•„์˜ค์„ธ์š”) -> wait, "์ฐพ์•„์˜ค์„ธ์š”" is "์š”" again, let's change 3. Wait, let's list the verb endings of all lines carefully: - Line 1 (3์ดˆ ์š”์•ฝ): ์ฆ๊ฒจ๋ด…๋‹ˆ๋‹ค (ใ…‚๋‹ˆ๋‹ค) - Line 2 (์ฆ๊ธธ 1): ๋– ๋‚˜์š” (์•„/์–ด์š”) - Line 3 (์ฆ๊ธธ 2): ์ฑ„์› ์–ด์š” (์–ด/์•˜์–ด์š”) -> but still ends in "์š”", albeit past. Let's make it more distinct. "๊ฐ€๋“ ์ฑ„์›Œ์ค๋‹ˆ๋‹ค" (ใ…‚๋‹ˆ๋‹ค - duplicate of Line 1). How about "๋‹ค์ฑ„๋กญ๊ฒŒ ๋งŒ๋‚  ์ˆ˜ ์žˆ๋‹ต๋‹ˆ๋‹ค" (๋‹ต๋‹ˆ๋‹ค) - Line 4 (์ฆ๊ธธ 3): ๊ทน๋ณตํ•ด ๋ณผ๊นŒ์š”? (์„๊นŒ์š”?) - Line 5 (์‹œ๊ฐ„): ํ™•์ธํ•ด ์ฃผ์„ธ์š” (์„ธ์š”) -> or "์ž์œ ์†Œ๊ทน์žฅ์œผ๋กœ ๋ชจ์—ฌ๋“ญ๋‹ˆ๋‹ค" (๋†‰)

Admission Fee: All seats KRW 20,000

์ฑ„๋„

์ถœ์ฒ˜: (์žฌ)์˜ˆ์ˆ ๊ฒฝ์˜์ง€์›์„ผํ„ฐ ๊ณต์—ฐ์˜ˆ์ˆ ํ†ตํ•ฉ์ „์‚ฐ๋ง(www.kopis.or.kr)

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